Woke Hollywood’s Self-Destruction: Billions Lost in Anti-Trump Tirades and Antifa Glorification – Whatfinger News' Choice Clips
Whatfinger News' Choice Clips

Woke Hollywood’s Self-Destruction: Billions Lost in Anti-Trump Tirades and Antifa Glorification

Article is under this top vid by The Quartering: Hollywood RAGES As Woke Pro-Antifa Movie TANKS! Hundreds Of Millions Lost On Leonardo DiCaprio Trash 🛑

Woke Hollywood’s Self-Destruction: Billions Lost in Anti-Trump Tirades and Antifa Glorification

In a scathing YouTube rant from conservative commentator Jeremy Hambly (above), better known as The Quartering, Hollywood’s relentless push of “woke” ideology is once again put under the microscope. Hambly, whose channel thrives on exposing the entertainment industry’s left-wing bias, tears apart the latest examples of anti-MAGA messaging and virtue-signaling that have tanked box office returns and alienated audiences. Using the video as a springboard, it’s clear that Tinseltown’s obsession with bashing President Trump, promoting radical agendas, and even sympathizing with groups like Antifa isn’t just tone-deaf—it’s financial suicide.
As conservatives have long warned, this echo chamber of progressive propaganda is costing studios fortunes, with flop after flop proving that Americans are fed up with being lectured by millionaire elites who hate half the country. The pattern is undeniable: Hollywood’s “get woke, go broke” mantra has become a self-fulfilling prophecy. Take Disney’s 2025 live-action remake of “Snow White,” which crashed and burned at the box office, pulling in a pitiful $43 million in its opening weekend—the worst debut for any Disney live-action remake in nearly a decade. Star Rachel Zegler, whose anti-Trump rants included wishing his voters “never know peace,” embodied the film’s divisive tone.

The movie, plagued by controversies over its “woke” revisions—like ditching the seven dwarfs for “magical creatures” to avoid offending height-challenged individuals—failed to resonate with families who once flocked to Disney classics. Industry experts point to more than just the backlash; the film’s lack of originality and fear of risk-taking in a polarized climate sealed its fate. But conservatives see it as karma for Disney’s broader agenda, which has led to a string of disappointments, including massive subscriber losses and layoffs amid a year of enduring box office bombs. This isn’t isolated. Disney’s 2022 “Lightyear” fizzled due to similar issues, with backlash over its inclusion of a same-sex kiss scene seen as the latest casualty in the “get woke, go broke” phenomenon.

Critics like Christian Toto argued it failed to meet Pixar’s high standards, but the underlying message was clear: Audiences reject being force-fed social justice narratives. Fast-forward to 2023, and Disney endured a brutal year of flops, from “Indiana Jones and the Dial of Destiny” to “The Marvels,” prompting questions about whether wokeness was to blame. The company’s push for diversity quotas and progressive themes alienated core fans, resulting in billions in losses. As one veteran film critic noted, Hollywood’s risk-aversion stems from fear of offending the left, leading to recycled IP rather than bold originals.  Continued below this next clip

Chris Pratt is one of the few actors in Hollywood to not be completely corrupted by the woke indoctrination cesspool. Here he is making a lot of sense about the Trump Presidency. How he hasn’t been canceled yet is a mystery.

Yet, this caution doesn’t extend to anti-Trump screeds, which flow freely from celebrities like Zegler, further driving away red-state viewers.The anti-MAGA bias runs deep, with stars routinely using platforms to demonize Trump and his supporters. Zegler’s comments weren’t anomalies; they’re symptomatic of an industry where Trump-bashing is a rite of passage. From awards shows to social media, Hollywood elites paint conservatives as villains, ignoring that half the country voted for him—twice. This disconnect fueled the “Snow White” disaster, where the film’s progressive overhaul clashed with audience expectations. Other controversies, like Disney’s inclusion of openly gay characters in films that bombed in 2022, compounded the issue.

Conservatives argue this isn’t about representation but indoctrination, turning family entertainment into political battlegrounds. The result? Declining filming permits in Los Angeles, with 2024 marking the worst year for on-site production in decades, as studios grapple with economic fallout. No government bailout will save them, as free-market principles demand they adapt or perish. But Hollywood’s folly goes beyond anti-Trump rhetoric—it’s veered into outright support for radical groups like Antifa, which conservatives view as domestic terrorists. The 2025 film “One Battle After Another,” directed by acclaimed Paul Thomas Anderson, has been slammed as full-throated Antifa propaganda. The movie glorifies anti-ICE violence and idolizes Antifa militants, portraying them as heroes in a “battle” against fascism.

FLASHBACK: When Ricky Gervais ROASTED the woke Hollywood elite

Critics call it pure left-wing indoctrination, with sleeper-cell reviewers hyping it despite its blatant anti-American slant. The Hollywood Reporter defended the pro-terrorist narrative, proving the industry’s complicity. This isn’t new; a syllabus of Antifa-inspiring films has long poisoned generations with nihilistic anarchy. Stars like Dean Cain have fired back at colleagues like John Leguizamo for supporting such agendas, highlighting Hollywood’s backlash against conservatives who join ICE or speak out. Support for Antifa extends to real-world actions. Left-leaning Hollywood figures backed the recall of LA DA George Gascon, but only after his soft-on-crime policies, which echoed Antifa’s anti-police stance, backfired. Actors like Willem Dafoe slammed Trump’s “invasive” arts policies, aligning with radical views.

Antifa-style attacks on Tesla dealerships expose the left’s hypocrisy, vandalizing in the name of environmentalism while Hollywood cheers. Leguizamo’s rants on “The View” about DEI undoing “500 years of oppression” fuel this division, ignoring how such rhetoric tanks careers and films. Even threats from stars like Ron Perlman during strikes hint at the violent undertones Antifa embodies. Why does Hollywood persist? Insulated in their bubbles, elites underestimate the backlash. Box office data shows audiences voting with their wallets, preferring content that entertains without preaching. Trump’s warnings about “left-wing violence and Antifa-inspired terror” resonate, as studios lose billions. The AFI’s praise for flop films meeting NGO criteria exposes the agenda.

Conservatives like The Quartering argue it’s time for a reckoning—defund the wokeness, or watch the empire crumble. As viewership shifts to independent creators, Hollywood’s monopoly cracks. The message is clear: Ditch the anti-MAGA BS and Antifa love, or face oblivion. The America people are once again rising, and we are not putting up with any Marxism, any woke BS anywhere from this point forward.

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Lisa and Mal Antoni at Whatfinger News

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