In a fiery video rant that’s gone viral on X, conservative firebrand Nick Adams unleashes on Marvel’s latest outrage: casting actress Julia Garner as the traditionally male Silver Surfer in the upcoming Fantastic Four reboot. “Marvel went woke by casting Julia Garner as the male Silver Surfer,” Adams declares, calling for a “COMPLETE and TOTAL boycott” of the film. Don’t watch it, don’t promote it—let Marvel make movies without the wokeness or go broke. This clip captures the boiling frustration among real fans who’ve watched Disney’s Marvel Cinematic Universe (MCU) self-destruct under a relentless barrage of leftist propaganda, gender swaps, and virtue-signaling that prioritizes DEI over storytelling. What was once a box office juggernaut is now a sinking ship, hemorrhaging billions and alienating its core audience of patriotic, family-oriented Americans. Marvel’s downfall didn’t start with Silver Surfer’s sex change—it’s the culmination of years of shoving woke ideology down fans’ throats. Take the 2023 flop “The Marvels,” a feminist fever dream that bombed spectacularly, failing to crack $100 million domestically despite a $270 million budget.

Critics like John Nolte at Breitbart pointed out how even women stayed away, debunking the myth that girl-power pandering draws crowds. The film was a cringefest of forced diversity and anti-male tropes, leading Stephen King to whine about MCU haters, but the box office doesn’t lie—woke doesn’t sell. Fast-forward to 2024, and the pattern persisted. “Madame Web,” another “feminist” superhero disaster starring Dakota Johnson, tanked with a pitiful box office haul, blamed on everything but the obvious: audiences rejecting preachy, identity-obsessed drivel. Johnson herself distanced from the flop, saying it “wasn’t my fault,” but conservatives know better—it’s the woke scriptwriters and producers forcing agendas that kill creativity.  Continued below this next vid

Breitbart’s Nolte celebrated these failures as proof that Hollywood’s big push into superhero wokeness, as lamented by even Gwyneth Paltrow, is backfiring spectacularly. By 2025, the MCU’s woke implosion hit rock bottom. “Captain America: Brave New World” opened weakly and plummeted 68% in its second weekend, barely scraping $200 million domestically—a far cry from the billion-dollar hauls of pre-woke eras. Nolte eviscerated it as another victim of Marvel’s diversity obsession, following flops like “The Eternals” and “The Marvels.” Then came the Fantastic Four reboot, wading deep into “gender politics” with leading lady Sue Storm reimagined as no “doormat,” but really just more feminist lecturing.

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And that female Silver Surfer? It’s straight from an obscure alternate universe, but fans see it as Disney killing another male hero to end “toxic masculinity.” The film hoped to reverse Marvel’s losing streak, but early tracking suggested another bomb, with fans boycotting en masse. Disney’s broader failures compound the misery. In 2023, the Mouse House endured a string of box office duds, losing its top spot to Universal as woke flops piled up. “Ant-Man and the Wasp: Quantumania” kicked off the misery, but “Wish” sealed the deal, another critical and commercial disappointment hot on “The Marvels'” heels.

Fox News asked if wokeness was to blame, and the answer is a resounding yes—Disney’s year of bombs proved audiences want entertainment, not indoctrination. Marvel’s response? Layoffs and reduced output in 2024, admitting defeat after flailing with woke content. Reports surfaced of purging “activist” producers, a desperate house-cleaning to salvage the brand. But as Nolte noted, after three years of woketardery, even non-woke hits like “Spider-Man: No Way Home” couldn’t avert the overall catastrophe—summer box office down 11% in 2024, saved only by apolitical films.

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Daily Wire compiled a list of woke movie disasters, proving Hollywood’s agenda alienates the masses. Marvel’s obsession with too many films and lousy VFX, as ripped by an X-Men director, only worsens the rot. The income killer is clear: billions lost, stock tumbling, and a once-mighty franchise in ruins. Boycotts like Adams’ are working—fans are voting with their wallets. Marvel must ditch the wokeness, return to timeless heroism, or fade into irrelevance. Patriots know, get woke, go broke.